Chapter 4 / 12
Renata Ocampo
Renata Ocampo · Mystery / Detective
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Goal
Atone for what I did
Relationships
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Replay as Renata Ocampo from chapter 1 and pick your own way through.
Play as this characterYOU CHOSE
Ask Cross one more question — who hired him to suppress the files in the first place, who was at the top of that chain.
Cross's smile returns, thin and cold. "You think there's a single name at the top? A puppet master pulling strings?" He shakes his head slowly. "There's no kingpin, Detective. Just a network. People who pay for silence. People who pay for forgetting. I'm just the pharmacist."
"Give me a name."
He considers you for a long moment. The porch light flickers — a moth batting against the bulb.
"The files Dottie photographed — they're in a manila envelope taped to the underside of the workbench in her storage unit. You'll find a name there. A man named Vance. Not M. Vance — her brother. He's the one who paid me. He's the one who wanted Fesler quiet."
"Vance is dead."
"Her brother isn't." Cross's voice drops. "He goes by a different name now. Lives in Portland. Owns a chain of private clinics." He tilts his head. "I believe you've heard of them. St. Jude's Palliative Care."
The name hits you like cold water. The letterhead on Dottie's prescription. The building in the photograph. It's not just a clinic — it's the source.
YOU CHOSE
Step inside Cross's house — search his office for any correspondence with Vance or St. Jude's before he's taken away.
You brush past Cross into the house. He doesn't resist — just turns to watch you with that same thin smile. The living room is ordinary: worn sofa, bookshelves, a television on standby. But a hallway leads to a back room with a closed door.
You push it open. Office. Desk. Filing cabinet. A laptop on the desk, still running.
You pull the top drawer of the filing cabinet. Files. Patient records — all with the same Nalorex prescription pattern. You flip through until you find a folder labeled VANCE, T. Inside: a single photograph of a man in his fifties, sharp features, standing in front of a St. Jude's Palliative Care sign. On the back, in Cross's handwriting: Thomas Vance. Portland. Main contact.
Your phone buzzes. Harrow again.
Units are in position. What's your status?
You hear movement behind you — Cross being cuffed on the front lawn, the metallic click of restraints.
YOU CHOSE
Take the Vance folder and the laptop — bag them as evidence and head to the station to start building the Portland case.
You slide the Vance folder into your jacket and power down the laptop, tucking it under your arm. The office falls silent — just the hum of the refrigerator from the kitchen and the distant crackle of police radios from the front lawn.
You step outside. Cross is in the back of a squad car, hands cuffed, watching you through the window. His expression is unreadable.
One of the officers approaches. "Detective. We've secured the perimeter. Anything else we need to bag?"
"The whole office. Filing cabinet, desk contents, anything with patient records. I want it all logged and transported to evidence at Franklin station."
He nods and moves off.
You stand on the lawn for a moment, the laptop heavy under your arm. The night air is cool. The case is breaking open — but the top of the chain is still in Portland. Thomas Vance. St. Jude's Palliative Care. A network of clinics and a dead nurse's brother who wanted Fesler's files buried.
Your phone buzzes. A text from Hendricks:
Evidence logged. DA's office is reviewing. Harrow wants a briefing at 8 AM. Good work, Ocampo.
YOU CHOSE
Call Hendricks and ask him to pull everything on St. Jude's Palliative Care — history, ownership, any past complaints or investigations.
You dial Hendricks as you walk toward your car. He picks up on the first ring, voice tight with caffeine and late-night energy.
"Tell me you're calling with good news."
"Cross is in custody. I've got his laptop and a folder on a man named Thomas Vance — M. Vance's brother. He's the one who paid Cross to suppress Fesler's files. Runs a chain of clinics called St. Jude's Palliative Care out of Portland."
A pause. "St. Jude's. That name's familiar."
"Pull everything you can. History, ownership, any complaints, any investigations — state and federal. I want to know who Thomas Vance is, who his partners are, and whether any of his clinics have had patients die under suspicious circumstances."
"On it." Another pause. "Ocampo — you think this goes higher than Vance?"
You lean against the hood of your car, staring at the dark street. Cross said it was a network. People who pay for silence. People who pay for forgetting.
"I think we're about to find out."
YOU CHOSE
Drive to Dottie's storage unit first — you want to see those photographs before anyone else touches them.
The storage unit lot is dark when you pull up, your headlights cutting through the chain-link fence. You park, grab the key, and walk to B-14. The lock is still intact — no one's been here since you left.
You lift the roll-up door. The workbench is against the back wall, cluttered with old paint cans and rusty tools. You drop to your knees and run your hand along the underside. Your fingers find the tape immediately.
You peel it free. A thick manila envelope, sealed, unmarked.
You tear it open.
Inside: photographs. Dozens of them. Not doors this time — documents. Pages from a ledger. Names, dates, amounts. Transactions. Each page stamped with a seal: St. Jude's Palliative Care — Confidential.
And beneath the photographs, a single handwritten note on yellow legal paper:
Detective —
If you're reading this, I didn't make it. These are the files Fesler copied. The ones Cross wanted burned. They show payments from St. Jude's to a dozen names — judges, politicians, police captains. They paid to keep the network quiet.
I'm sorry I couldn't do more.
— Dottie Parham
The names blur in the dim light. You recognize one. A Sacramento city councilman. Another — a name from the DA's office.
Your phone buzzes. Hendricks.
"Ocampo. I pulled St. Jude's records. You're not going to believe who's on their board of directors."
YOU CHOSE
Ask Hendricks who's on the board — you need to know how high this goes before you move.
You grip the phone tighter. "Who?"
Hendricks exhales slowly. "The board chair is a man named Robert Vance. Thomas Vance's older brother. But that's not the name that'll stop your heart." He pauses. "The vice chair is Maya Villanueva."
The name hits you like a slap. Adrian Fesler's sister. The woman who met you in the lobby this morning. The woman who gave you Moralez's name. The woman who's been playing you from the start.
"Say that again."
"Maya Villanueva. Adrian Fesler's sister. She's been on St. Jude's board for three years. Since before her brother died."
The photographs in your hand suddenly feel heavier. The handwritten note from Dottie. The names in the ledger. The woman who pressed Moralez's name into your palm, who acted desperate for answers, who stood in the lobby and watched you take the bait.
Your phone feels cold against your ear.
YOU CHOSE
Call Maya Villanueva right now — see if she answers, and if she does, confront her about the board position.
You pull up Maya's contact — the number she gave you this morning — and hit call. It rings three times, four. You're about to hang up when she answers.
"Detective Ocampo." Her voice is calm, controlled. Nothing like the desperate sister from the lobby. "I was wondering when you'd call."
"You're on St. Jude's board of directors."
A pause. Then a soft laugh. "I was wondering which name would tip you off. Robert? Thomas? Or did you find the ledger?"
"Your brother's dead. Dottie's dead. Kroeger's dead. And you've been on the board of the company that paid to keep it quiet."
"Adrian made a choice," she says quietly. "He found the files. He copied them. He was going to ruin everything our family built." Her voice hardens. "I gave him an out. I told him to take the Nalorex, to forget, to walk away. He refused. So Cross offered him the chain instead."
Your hand tightens on the phone. "You killed your own brother."
"I gave him a choice. He made his."
YOU CHOSE
Ask Maya where she is — keep her talking while you trace the call.
You keep your voice steady, buying time. "Where are you right now, Maya?"
Another soft laugh. "You're trying to trace the call. I know how this works, Detective." A pause. "I'm at the St. Jude's Portland headquarters. Robert and I are having dinner. Planning the next phase of expansion."
"Expansion. More clinics. More patients who see things they shouldn't."
"More people who need help forgetting." Her voice drops. "You think you're on the side of the angels, Ocampo. But you don't know what those files contain. You don't know the names. If those ledgers see daylight, half the city government of Sacramento goes down. Judges. Prosecutors. Police captains. People you trust."
She's right. You saw the names. You recognized one from the DA's office.
"I'm not going to stop."
"I know. That's why I'm not coming back to Sacramento." The line crackles. "Goodbye, Detective. I hope you sleep well with what you're about to unleash."
The line goes dead.
YOU CHOSE
Call Harrow immediately — report Maya's location in Portland and request an emergency warrant for St. Jude's headquarters.
You dial Harrow's number. He picks up on the first ring, his voice sharp with the late hour.
"Ocampo. Tell me you've got something."
"Maya Villanueva. Adrian Fesler's sister. She's on the board of St. Jude's Palliative Care. She just admitted to me on the phone that she knew about the Nalorex, about the chain, about everything. She's in Portland right now at St. Jude's headquarters with Robert Vance. I need an emergency warrant for that location before they scatter."
Silence. Then the sound of Harrow exhaling slowly. "You're telling me the victim's sister is one of the people running the operation?"
"Yes. And she's about to run. I need Portland PD to hold her until we can get someone there."
Another pause. "I'll call the DA. Then I'll call Portland. But Ocampo — if this goes wrong, if the warrant doesn't hold — "
"It'll hold. I've got the ledgers. I've got the photographs. I've got Cross in custody and Maya on record."
A long breath. "Fine. Stay by your phone. I'll call you back within the hour."
The line goes dead.
You stand in the dim storage unit, the ledgers heavy in your hands. The names inside them are a bomb waiting to go off. And somewhere in Portland, Maya Villanueva is probably already packing.
YOU CHOSE
Drive to the station and start organizing the case file — have everything ready for the DA the moment the warrant comes through.
The storage unit door rattles shut behind you as you jog to your car. The ledgers sit on the passenger seat, a dead weight. You drive fast, running two yellows, and pull into the Franklin station lot in under fifteen minutes.
The building is quiet — night shift skeleton crew. You badge through the side entrance and head straight for the conference room. You flip on the lights, spread the photographs across the table, and boot up Cross's laptop.
The password screen glows blue. You try StJudes1. Denied. Nalorex. Denied. Vance. Denied.
You pull out your phone and call Hendricks. "I'm at the station. Cross's laptop is locked. You know anyone in IT who can crack a password without wiping the drive?"
"Give me ten minutes. I'll send someone down."
You hang up and turn back to the photographs. The ledger pages are clear — names, dates, amounts. You recognize a city councilman, a superior court judge, a captain from internal affairs. Each one received payments from St. Jude's, ranging from five to fifty thousand dollars.
Your phone buzzes. Harrow.
"Warrant's signed. Portland PD is en route to St. Jude's headquarters. They'll detain Maya Villanueva and Robert Vance for questioning. I need you on a plane to Portland by morning."
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