Chapter 5 / 12
Renata Ocampo
Renata Ocampo · Mystery / Detective
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Goal
Atone for what I did
Relationships
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Replay as Renata Ocampo from chapter 1 and pick your own way through.
Play as this characterYOU CHOSE
Ask Harrow if the warrant covers St. Jude's financial records — you want to freeze their assets before anyone can transfer funds.
You lean against the conference table, the ledger pages spread beneath your hand. "Does the warrant cover St. Jude's financial records? I need to freeze their assets before anyone starts moving money."
Harrow is quiet for a moment. You hear him shuffling papers. "The warrant covers the Portland headquarters, all patient records, and any computers or servers on site. Financial records are a gray area — I'll need to call the DA back and amend the request."
"Do it. Maya Villanueva just admitted to complicity in her brother's death. She's not going to sit still while we build a case. If there's money moving, I want it stopped."
"Understood. I'll call you back."
He hangs up. You set the phone down and stare at the photographs. The names stare back — judges, politicians, police captains. People who took money to look the other way while Cross silenced anyone who saw too much.
The door to the conference room opens. Hendricks walks in, a young officer in IT following behind him with a laptop bag.
"Got someone who can crack that password in about twenty minutes," Hendricks says. He looks at the photographs spread across the table, then back at you. "You okay?"
YOU CHOSE
Tell Hendricks you need him to stay in Sacramento and watch the evidence while you fly to Portland — you don't trust anyone else with the ledgers.
You meet Hendricks's eyes. "I need you to stay here. Watch the evidence. Don't let anyone near these ledgers except you or me."
He doesn't argue. Just nods once. "You're flying to Portland."
"First flight out. Harrow's arranging it." You glance at the photographs on the table. "These names — half of them are still in office. If word gets out before we have everything locked down, they'll bury this so deep no one ever finds it."
Hendricks steps closer, lowering his voice. "You trust me with this?"
"You're the only one I trust."
He holds your gaze for a long moment, then nods again. "I'll sleep in this room if I have to. Nothing moves without you."
The IT officer clears his throat from the doorway. "Uh, Detective? I've got a way into the laptop, but it's going to take about thirty minutes. You want me to start?"
YOU CHOSE
Ask the IT officer to prioritize email searches for *Vance*, *St. Jude's*, and *Nalorex* — you need communication records for the DA.
The IT officer nods and pulls a chair up to the laptop. "Give me fifteen minutes. I'll have a list of every email with those keywords."
You turn back to Hendricks. "I'm going to pack a bag and head to the airport. Keep me updated."
He pulls out his phone. "I'll text you the second anything comes through."
You gather the original ledger photographs and slide them into a sealed evidence envelope. Hendricks watches you lock it in the station's secure safe before you leave.
The drive to Sacramento International is quiet. Your mind keeps circling back to Maya's voice on the phone — calm, controlled, unrepentant. She knew exactly what she was doing. She gave her brother a choice between forgetting and dying, and when he refused to forget, she watched him die.
Your phone buzzes as you park at the terminal. A text from the IT officer:
Found something. Cross had an email thread with someone using the alias "T. Vance" — discussing a patient named "Subject 7." Dates match Fesler's final month. Full thread attached.
You open the attachment. The emails are clinical, cold:
Subject 7 refuses treatment. Recommending alternative protocol.
Alternative protocol approved. Proceed with chain method.
YOU CHOSE
Forward the email thread to Harrow and the DA immediately — this is direct evidence of premeditated murder.
You forward the email thread to Harrow and the DA with a brief note: Direct evidence of premeditated murder. Cross and "T. Vance" discussing Adrian Fesler's death by "chain method." Full thread attached. More subjects likely.
You pocket your phone and grab your bag from the trunk. The terminal is quiet at this hour — a few travelers slumped in chairs, a janitor buffing the floors. You check in, clear security, and find your gate. Flight to Portland boards in forty minutes.
You find a seat near the window and pull out your phone. The email thread is still open. You scroll through it again, reading between the clinical language:
Subject 7 continues to resist. Sleep quality poor. Recurring nightmares about "what he saw." Recommend moving to alternative protocol before he contacts authorities.
Cross's reply: Alternative protocol approved. Ensure chain method is clean. No witnesses.
Your jaw tightens. They discussed it like a routine procedure. Like changing a prescription.
Your phone buzzes. Harrow.
DA's office is reviewing the thread. They're expediting the federal warrant. Good work, Ocampo.
YOU CHOSE
Board the flight and try to rest — tomorrow is going to be a long day, and you need to be sharp when you land in Portland.
You board the flight and find your seat — a middle row near the back. The plane is half-empty, mostly business travelers and a few tired families. You stow your bag, buckle in, and lean your head against the window.
The cabin lights dim. The engines hum.
You close your eyes, but your mind won't stop turning. Maya's voice. Cross's smile. The names in the ledger. The chain on the door. You see it all behind your eyelids, looping like a film reel.
Somewhere over the Oregon border, you finally drift off.
You wake to the pilot's voice announcing descent into Portland. The city lights spread below you, cold and distant. You check your phone — a text from Hendricks:
Cross's laptop had files on six more subjects. All deceased. All with the same chain method. Names and dates attached. DA is building a federal case.
Another text, from Harrow:
Portland PD has St. Jude's under surveillance. Maya Villanueva and Robert Vance haven't left the building. Waiting for your arrival to execute the warrant.
The plane touches down. You gather your bag and step into the jet bridge, the Oregon air cold against your face.
YOU CHOSE
Check in with the Portland field office first — review their surveillance footage and coordinate the takedown strategy.
The Portland field office is a low-slung concrete building on the edge of the Pearl District. You badge through the lobby and are met by a sharp-eyed agent in her forties who introduces herself as Special Agent Duvall. She leads you to a cramped conference room with monitors lining the far wall.
"St. Jude's headquarters is a three-story building on Northwest 23rd," she says, pulling up a live feed. "We've got two agents on the front entrance, one on the rear fire exit. No movement in the last hour. Lights are on in the executive suite on the third floor."
She points to a monitor showing a wide shot of the building's facade. "We've confirmed Robert Vance entered at 7 PM and hasn't left. Maya Villanueva arrived at 7:30. Both are still inside."
You study the feed. The building looks quiet — too quiet. No security guards at the entrance. No movement at the windows.
"They know we're coming," you say.
Duvall raises an eyebrow. "How do you figure?"
"They haven't left. They're waiting." You turn to her. "What's the play?"
YOU CHOSE
Suggest a dynamic entry — hit the front and rear simultaneously, catch them before they can destroy evidence.
Duvall studies the monitor for a long moment, then nods. "I'll get the teams in position. Front entry, rear fire exit, and a third team on the roof in case they try to go up." She reaches for her radio. "Give me five minutes to coordinate."
You watch the monitors as agents shift into position. The building remains still. Too still.
Your phone buzzes. A text from an unknown Portland number:
You're making a mistake, Detective. The names in those ledgers — they're not just Sacramento. They're everywhere. Walk away while you can.
You stare at the message. Maya — or someone working for her — knows you're here.
Duvall looks up from her radio. "Teams are in position. We're ready on your call."
YOU CHOSE
Delay the entry by five minutes — have Duvall's team sweep the building's perimeter for anyone watching the operation.
You hold up the phone to Duvall. "Someone inside knows we're here. I just got a text telling me to walk away. I want a perimeter sweep before we breach — make sure there's no one watching the operation who shouldn't be."
Duvall's eyes narrow. She takes the phone, reads the message, and hands it back. "Five minutes." She keys her radio. "All units, hold position. Perimeter sweep — look for any vehicles or personnel watching the building. Report back."
The next five minutes stretch. The monitors show nothing — just the quiet facade of St. Jude's, the street empty, the windows dark except for the third-floor executive suite.
The radio crackles. "Sweep complete. No surveillance detected. All clear."
Duvall looks at you. "Your call, Detective."
YOU CHOSE
Request a drone flyover of the third-floor windows — get eyes on what's happening inside before you commit to entry.
Duvall hesitates, then nods. "We've got a tactical drone in the car. Give me two minutes." She steps out, and you hear her voice through the door, calling for the drone operator.
You watch the monitors. The building remains still. The third-floor windows are dark except for one — the executive suite, a warm glow spilling through the blinds. No shadows move behind it.
Your phone sits heavy in your pocket. The unknown number hasn't texted again.
Duvall returns, tablet in hand. "Drone's airborne. Feed coming through now."
She angles the screen toward you. The drone's camera shows the third-floor windows in crisp detail — the blinds are drawn, but there's a gap near the bottom. The drone dips lower.
Inside the executive suite, you see two figures seated at a conference table. Maya Villanueva and Robert Vance. They're not moving. Not speaking. Just sitting, staring at something on the table between them.
The drone adjusts its angle. On the table: a single sheet of paper, a pen, and a brass key.
YOU CHOSE
Order the breach now — something about that table arrangement feels wrong, and you don't want to wait to find out what.
You grab Duvall's arm. "Now. Breach now. Something's wrong."
She doesn't question you. Her thumb hits the radio. "All units, execute! Front and rear, go go go!"
The monitors come alive — agents streaming through both entrances, shouting, boots on stairs. You watch the third-floor feed as the drone holds position. The two figures at the table don't move. Don't flinch.
Your stomach drops.
The radio crackles. "Front team is in the executive suite. We've got two subjects — they're not moving. They're... they're not breathing, Detective."
You're already running for the door.
The stairwell is a blur. You hit the third-floor hallway at a sprint, badge out, past the agents securing rooms until you reach the executive suite. The door is open.
Inside, Maya Villanueva and Robert Vance sit at the conference table, perfectly still. Their eyes are open. Their hands rest on the table, palms down. Between them: the brass key, the pen, and a single sheet of paper with handwriting on it.
An agent steps aside to let you through. "No signs of trauma. No visible wounds. We're checking for vitals, but..."
You step closer. The paper is a letter, addressed to you.
Detective Ocampo —
You were never going to take us alive. We knew the ledgers would surface eventually. Robert and I made our choice hours ago. The key is to a safety deposit box at Wells Fargo in downtown Portland. Everything you need to close the network is inside.
I'm sorry about Adrian. I am. But I made my choice years ago, and I couldn't unmake it.
— Maya
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