Chapter 6 / 12
Renata Ocampo
Renata Ocampo · Mystery / Detective
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Goal
Atone for what I did
Relationships
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Replay as Renata Ocampo from chapter 1 and pick your own way through.
Play as this characterYOU CHOSE
Secure the scene and call Harrow — report that Maya and Robert are dead, likely by their own hand, and request a forensic team.
You step back from the table, pulling out your phone. The room is already buzzing with agents securing the perimeter, but you need to lock this down properly.
"Duvall." Your voice is steadier than you feel. "Secure this room. No one touches anything until the forensic team arrives. I want photographs of everything — the bodies, the table, the letter, the key, their hands, their phones."
Duvall nods, already issuing orders.
You dial Harrow. He picks up on the second ring. "Tell me you've got them."
"They're dead. Maya Villanueva and Robert Vance. Looks like self-administered poison — no visible trauma, no signs of struggle. They left a letter addressed to me and a key to a safety deposit box downtown."
A long pause. "They knew we were coming."
"They knew. Someone tipped them off. I got a text on the ground telling me to walk away." You look at the two still figures at the table. "They chose this instead of a cell."
Harrow exhales slowly. "I'm calling the Portland field office supervisor. I want a full forensic team on site within the hour. And Ocampo — that safety deposit box. Get to it before anyone else does."
YOU CHOSE
Call Hendricks and update him on what happened — then ask him to cross-reference the Portland safety deposit box against any other locations tied to St. Jude's.
You step into the hallway, away from the hum of the crime scene, and dial Hendricks. He picks up on the first ring.
"Tell me you got them."
"They're dead. Maya and Robert. Self-administered poison. Left a letter and a key to a Wells Fargo safety deposit box downtown." You pause. "Someone tipped them off. I got a text when I landed telling me to walk away."
Hendricks is quiet for a moment. "They knew you were coming. That means someone in Sacramento or Portland is feeding information to St. Jude's."
"That's what I need you to look into. Cross-reference the Portland safety deposit box against any other locations tied to St. Jude's — banks, storage units, shell companies. I want to know if there are more boxes, more ledgers, more names we haven't found yet."
"On it. I'll start with the financial records we pulled earlier and work outward." A pause. "Ocampo — be careful with that box. If they went this far to keep it hidden, there's a reason."
"I will. Call me when you find something."
You hang up and turn back toward the executive suite. Duvall is at the door, tablet in hand, coordinating the forensic response.
YOU CHOSE
Head to the Wells Fargo downtown now — retrieve the safety deposit box before anyone else can get to it.
You pocket the key and head for the stairwell, Duvall's voice calling after you: "Ocampo, I need you on scene for the forensic team—"
"I'll be back." The door swings shut behind you.
The Wells Fargo on 5th Avenue is a ten-minute drive through light Portland traffic. You park in a loading zone, badge visible, and push through the glass doors. A manager in a navy blazer glances up from the teller counter, eyes catching your badge.
"Detective Ocampo, Sacramento PD. I need access to a safety deposit box. Emergency warrant in progress."
The manager hesitates, then nods. "This way."
He leads you to the vault, inserts his key, and gestures to a small viewing room. You slide the brass key into box 117. It turns smoothly.
Inside: a single manila envelope, thick with documents. You pull it out and open the flap.
Photographs. Dozens of them. Children. All young, all in medical gowns, all with the same hollow look in their eyes. On the back of each photo, a name, a date, and a notation: St. Jude's Palliative Care — Nalorex Trial Participant.
Beneath the photographs, a handwritten ledger. Names of patients. Dosages. Side effects. And a final column: Outcome. Most read Deceased.
At the bottom of the envelope, a single typed letter on St. Jude's letterhead:
To whom it may concern —
The enclosed records document the full scope of the Nalorex clinical trials conducted at St. Jude's Palliative Care between 2018 and 2023. These trials were not approved by any medical board. Patients were not informed of the experimental nature of the treatment.
This is what Adrian Fesler died trying to expose.
— M. Villanueva
YOU CHOSE
Call Hendricks and tell him what you've found — ask him to cross-reference the patient names against missing persons reports and death certificates.
You step out of the viewing room, the envelope pressed against your chest, and dial Hendricks. He picks up on the first ring.
"I've got it. The safety deposit box — it's full of patient records from the Nalorex trials. Photographs, names, dates, dosages. Dozens of them. Children, Hendricks."
A sharp intake of breath on the other end. "Children?"
"St. Jude's was running unapproved clinical trials on minors. The outcome column lists most of them as deceased." You pause, steadying your voice. "I need you to cross-reference every name in here against missing persons reports and death certificates. Start with Sacramento County, then expand statewide."
"I'm on it. Email me the names as soon as you can."
"I will. And Hendricks — keep this between us for now. Until we know who else is on that board, I don't trust anyone else with this."
"Understood. Be careful, Ocampo."
You hang up and stand in the bank lobby, the weight of the envelope pressing against your ribs. Dozens of children. Dead. And the people responsible are still out there — the names in the Sacramento ledger, the board members who approved the trials, the doctors who administered the drugs.
YOU CHOSE
Call Harrow and request federal protection for the evidence — this envelope is too dangerous to leave in local custody.
You step outside the bank, the cold Portland air hitting your face, and dial Harrow. He picks up on the second ring.
"I've got the box. It's worse than we thought. St. Jude's was running unapproved Nalorex trials on children. Dozens of them. Most are deceased. I have photographs, names, dates, dosage records — the full scope."
Silence. Then a low exhale. "Children."
"Children. And Maya's letter confirms these trials were never approved by any medical board. This is what Fesler died trying to expose." You grip the phone tighter. "I need federal protection for this evidence. I don't trust local custody — too many names in that Sacramento ledger are still walking around."
Another pause. "I'll call the FBI field office in Portland. Special Agent Duvall — she's already on scene at St. Jude's. I'll have her coordinate a secure transfer."
"Thank you."
"Ocampo." His voice drops. "Be careful with that envelope. If half of what you're saying is true, there are people who would kill to keep it buried."
The line goes dead. You stand on the sidewalk, the envelope heavy in your hands, the city moving around you like nothing has changed.
YOU CHOSE
Wait at the bank for Duvall to arrive with a federal escort — don't move the evidence until you have backup.
You lean against the bank's exterior wall, the envelope tucked under your arm, and scan the street. Pedestrians pass, oblivious. A bus rumbles by. The city hums with normalcy while you hold evidence that could bring down a network stretching across two states.
Your phone buzzes. Duvall: Five minutes out. Hold position.
You watch the intersection. A black SUV turns onto 5th Avenue, slows, and pulls up to the curb. Duvall steps out, two agents flanking her.
"Detective." She eyes the envelope. "That it?"
You hand it over. "Patient records. Unapproved clinical trials on minors. Dozens of names. Maya's letter confirms everything."
Duvall takes it carefully, like it might break. "We'll get this logged into federal evidence within the hour. I've got a secure room at the field office. You're welcome to stay and review."
You hesitate. The evidence is safe. But the names in the ledger are still out there — judges, politicians, police captains. And somewhere, there's a board of directors who approved all of it.
YOU CHOSE
Ask Duvall to secure the evidence while you fly back to Sacramento — you need to confront the names in the ledger face to face.
Duvall studies you for a moment, then nods. "I'll have it logged and secured within the hour. You want a copy?"
"Email me the photographs. I'll need them for the Sacramento warrants."
She gestures to one of the agents, who pulls out a portable scanner. Within minutes, you have digital copies of every document in the envelope transferred to your phone and a secure cloud folder.
"Be careful, Detective," Duvall says as you turn to leave. "Those names in Sacramento — they're going to fight back hard when they know what's coming."
You meet her eyes. "Let them."
The flight back to Sacramento is shorter than you remember. You spend it reviewing the documents on your phone, memorizing names, building the case in your head. By the time you land, you have a list of eight names from the Sacramento ledger that need to be interviewed immediately.
Hendricks is waiting at the gate. He looks like he hasn't slept.
"Got your list," he says, falling into step beside you. "First name on it — Councilman Derek Parrish. He's got a fundraiser tonight at the Grand Sheraton. Black tie. Press will be there."
YOU CHOSE
Go to the station first and secure formal warrants for each name on the list — move methodically and by the book.
The station is buzzing when you walk in — night shift still processing the fallout from Cross's arrest, day shift already filtering in for early briefings. You head straight for the conference room, Hendricks on your heels.
You spread the list across the table. Eight names. Eight warrants.
"I want them all," you say, tapping the paper. "Financial records, phone records, emails, property searches. Everything we can legally pull. We build the case so tight they can't squirm out."
Hendricks pulls out his phone. "I'll call the DA's office. Get the paperwork started." He pauses at the door. "You know Parrish is going to lawyer up the second he hears about this."
"Let him. Lawyers can't hide what's in those ledgers."
You sit down and start drafting the warrant requests, cross-referencing each name against the payment records from St. Jude's. The amounts are damning — regular deposits, all labeled consulting fees for services never rendered.
Your phone buzzes. A text from an unknown Sacramento number:
You're making a list. I'm on it. Let's talk before you file those warrants. — D. Parrish
YOU CHOSE
Reply to Parrish — agree to meet him privately before the fundraiser, but only in a public place with Hendricks present.
You type your reply carefully:
Neutral ground. The coffee shop on 15th and J. One hour. My partner stays. You come alone.
You hit send and slide the phone across the table to Hendricks. "Parrish wants to talk. I told him coffee shop, one hour, you're with me."
Hendricks reads the message, then looks up. "You trust him?"
"I trust that he's scared. Scared people make mistakes." You stand, grabbing your jacket. "Let's go see what kind of mistake Councilman Parrish is about to make."
The coffee shop on 15th and J is quiet for a Wednesday evening — a few students hunched over laptops, an elderly couple sharing a scone. You take a table near the back, Hendricks at the counter ordering drinks, watching the door.
At exactly 7 PM, Councilman Derek Parrish walks in. He's in a suit, no tie, looking like he dressed in a hurry. He spots you, crosses the room, and slides into the chair across from you without a word.
"Detective Ocampo." His voice is low, controlled. "I assume you've seen the ledgers."
"I've seen the payments. Fifty thousand dollars in consulting fees from St. Jude's over three years. Want to tell me what you consulted on?"
Parrish's jaw tightens. "I voted on zoning permits. I approved their expansion into Sacramento County. I didn't know what they were doing in those clinics."
"You didn't ask."
He holds your gaze. "I'm asking now. What did I sign off on?"
YOU CHOSE
I go quiet for a second and think back to the very first hour of this case — the woman who stopped me in the Sacramento PD lobby. What was her name, who was she to Adrian, and what exactly did I give her before I walked away?
You go quiet. The coffee shop hums around you — the hiss of the espresso machine, the low murmur of conversations — but your mind is somewhere else. Two mornings ago. The lobby of the Sacramento PD.
Maya Villanueva.
She stopped you before you reached Harrow's office. Adrian Fesler's sister. She asked about her brother's case, about the new death on Larkin Street. And you — you wrote your personal cell number on the back of a receipt from Ludlow's Diner and pressed it into her hand.
916-555-0148. Call me at any hour.
She had your number. She had your trust. And all the while, she was on the board of St. Jude's, watching you chase the very network she helped build.
You look back at Parrish, but your focus has shifted. Maya played you from the start. She fed you Moralez's name, let you dig up the evidence, let you build the case — all while knowing exactly where it would lead. And when it closed in, she chose the chain over the cell.
Just like her brother.
Parrish clears his throat. "Detective? You still with me?"
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